A Morning Walk
‘He was a sharpshooter you know.'
‘Really. No, didn't know that.'
Two men walked along a river bank. Both were about the same age, but one was tall and thin, with a beard and a sweater and bifocals that still embarrassed him, the other stocky and less tall, with a bald head and a denim jacket. Call them Jeff and Mark.
It rained steadily but lightly over the water, while heavier drops fell from the trees overhead. Low clouds barely moved in the sky as the river flowed, fat and brown and full of debris. A breeze blew cold and damp though it was late spring.
‘A sharpshooter and a pilot - how'd he manage that?'
‘Don't ask me. Wouldn't know.'
‘But you went in, didn't you?'
‘Oh yes, joined the Air Force like he did. Wanted to be in the Special Forces like him too.'
‘But that didn't work out.'
‘No, that didn't work out. You remember my pneumonia - scared my lungs up pretty badly. Then there's my weak heart.'
They had not seen each other in twenty years, not spoken in twelve, until last night when there seemed no one else to call, to find, who would understand. Mark drove through the night and into the morning to arrive by six. They had said nothing since then, but had walked along the river, walked for a couple of hours.
‘How did he...,' Mark started to ask.
‘How did? Oh. There was some old rope in his garage. Just enough.'
‘And you...you found...?'
‘Yes.'
They stopped and looked over the river in flood. By now they were soaked through and cold. A gaggle of Canadian geese flew over, their cacophonous honks filling the air. Jeff threw a stone into the river.
They stood thus a long while then turned to head back to the house.
‘Have you told Rachel?'
Jeff stopped and looked down at the ground, digging the toe of his boot into the mud and turf.
‘I see. How old is she now?'
‘Thirteen.' He kicked the toe of his boot deeper into the mud and turf, said, ‘They were even closer since Kate.... Well, it was like he was some kind of god or something.'
With that, he bent down and picked up another stone then hurled it into the river.
‘He wasn't, you know,' Jeff said at last.
‘Wasn't what?'
‘A god.' Then, after a pause, ‘Anyway, I sent her to stay with one of her friends for the night. She'll be home by now.'
Mark paused, then asked, ‘When did you...?'
‘Yesterday around four-thirty, after work.'
Again they walked, again in silence.
A squirrel skittered across their path and up the trunk of an oak bent and twisted by time and weather. A cardinal sang in the distance. After another long silence between them, the house appeared around a bend in the river.
Jeff stopped, stared at his house a long while, said, ‘I forgot to even ask, how's...?'
‘She's fine, so I hear.'
‘So, you two....'
‘Last year.'
‘Ah.'
Again, they walked, and as they neared the house Rachel sprang from the porch and came running toward them.
‘Poor dumb bastard,' was all that Mark said as he watched her.
‘Poor dumb bastard,' was all that Jeff said before he caught Rachel and swung her around and around as she laughed.
Postscript to the Daily News
A butterfly alighting on a tank?
I wish it were that simple, but, my friend,
it's not. A naive imp will gladly shank
you for those shoes; the good earth deigns to send
us earthquakes, floods; the disappearing bees
will leave us all bereft of honey; while
our CEOs collect annuities
with pay-out rates that, face it, would beguile
St Francis, who, we're told, yet had to feed
a vast menagerie, that toiled not day
to night and night to day nor spun from need.
Take heart, it's such a fashionable way:
the reed that smolders will be quenched in haste
so we, at last, may die with such good taste.
How sick - to wait - in any place - but thine -
I knew last night - when someone tried to twine -
Thinking - perhaps that I looked tired - or alone -
Or breaking - almost - with unspoken pain -
And I turned - ducal -
That right - was thine -
One port - suffices - for a Brig like mine -
Our's be the tossing - wild though the sea -
Rather than a mooring - unshared by thee.
Our's be the Cargo - unladen - here -
Rather than the spicey isles -
And thou - not there -
Emily Dickinson, #410, 1862
*****
‘Still Dunce the second reigns like Dunce the first,' Alexander Pope.
*****
I have from time to time dilated on the lunacy of one Chesterton. One thing in particular I cannot stand is his delight both in ‘dirtiness' as some sort of mortification of the soul, which he makes parcel of the virtues of English civilization. A sure sign of this civilization is the ‘wholesome diet of beef and beer' which the innately Christian Englishman makes his staple. Indeed, it seems that tea is for pagans - though I can't remember if they're the sort of pagans that the jolly elf though swell, or the more dour, throat-slitting, bog-hopping pagans native to his beloved Engelond. However that may be, I offer here the antidote to Chesterton, in the form of John Wilmot, the Earl of Rochester. For all I know, Chesterton could have been responding to the erstwhile reprobate.
‘In Easter-term she gets her a new gown,
When my young master's worship comes to town,
From pedagogue and mother just set free,
The heir and hopes of a great family;
Who with strong beer and beef the country rules,
And ever since the Conquest have been fools;
And now, with careful prospect to maintain
This character, lest crossing of the strain
Should mend the booby breed, his friends provide
A cousin of his own to be his bride,' [A Letter from Artemesia in the Town , To Chloe in the Country, c. 1670].
Note the change from end-stopped to enjambed lines as Artemesia moves from the statement of the case to commentary. Damn fine, I say.
*****
The Moon is distant from the Sea -
And yet, with Amber Hands -
She leads Him - docile as a Boy -
along appointed Sands -
He never misses a Degree -
Obedient to Her eye -
He comes just so far - toward the Town -
Just so far - goes away -
Oh, Signor, Thine, the Amber Hand -
And mine - the distant Sea -
Obedient to the least command
Thine eye impose on me -
Emily Dickinson, #387, 1862
This is just lovely in its music, both as a matter of rhythm in the lines and the modulation of vowels and consonants. Then there's the slant rhyme in the middle stanza. Finally, note that the conceit here is delicate, yet strong, and serves the song of a lover who is, alas, not always close, nor always warm. Yes, if the beloved addressed is not so near, then it is because Emily is distant.
*****
‘God keep me from completing anything. This whole book is but a draught - nay, but the draught of a draught. Oh, Time, Strength, Cash, and patience!' - Moby Dick, ch. 32
It's gone through many permutations, with most of the stuff I originally wrote only serving as place holders for the real thing, but finally here's at least a gesture toward the poem I wanted to write while tinkering with the awful one I kept posting.
No Title
Three am, hardly a sound, only the whisper
of shades in the wind, a few rutting birds
warming up in the dew, and her breathing steady
and pure. It's that hour of helpless regret,
that hour when memory strikes, like a hammer
blow against rock, that hour when we know we do not love
as we say, all we would love with all hopeless
lucidity if only, if only, if only...
Still at this hour I seek a sure benediction,
in deed and in word, that word from before all beginnings:
like trees barren against a bright day's horizon
we stand, quickening in promise unseen,
each a breath of speech we give back in time
dying to live in that day's waxing light.
Love Song
An afternoon with
my love, our
moans lost among wandering
stars;
later, I drink
and write poems while she
dreams -
can't steal time with
our trysts, yet it seems
in love we won't
age, or rule each
to our hurt
as we play, fleeting, under
wandering stars.
It seems that last Sunday, Palm Sunday in the Eastern Calendar, the Armenian and Greek Orthodox got into a fight over who would get to use the church at the supposed sight of Jesus' tomb. Indeed, Israeli police had to quell the battle. What's more, if memory serves, a Muslim family has had charge of the keys to the church for several centuries. [I might confuse here the church in Jerusalem with the one in Bethlehem. In either case, from what I've seen in the past several years, that some third party holds the keys to either church is all for the good.]
This running battle is our most dependable yearly manifestation of grass-roots ecumenism. You see, the conflict doesn't just involve Armenians and Greeks. No no no, my friends, all manner of Eastern and Roman Catholics get into the fight; even the Franciscans have been known to throw rocks and hurl insults from their slice of the church's roof. Still, the Orthodox of all stripes have been most pugnacious of late, and as their Pascha looms, this will only get worse.
To the point - their attachment to this place is pagan all the way down. Let's assume for a moment that Jesus really was buried and rose from the dead right there on that very spot. The fact of the matter is it would matter not a damn. Yes, that's right, that place is no more sacred than my toenail. Yes, yes, were I able to afford an off-season ticket I might pay a visit just to see what all the fuss is about. All the same, let me make it as clear as possible - there is no sacred significance to that site. Going there has about the same yield for your life in Christ as a good bottle of Riesling; in fact, the wine is better for you.
Jesus has indeed died; he has indeed risen; he has ascended to the right hand of the Father - this is the 'heavenly session', don't you know, wherein he intercedes for us; the Spirit has fallen on the earth and set fire to the whole thing, every speck. No plot of dirt is more sacred than any other.
All this is to say, the fullness of time has come; all in Christ are a new creation, knowing him no longer according to the flesh, but according to the Spirit. This doesn't mean he has ceased to be Jesus of Nazareth, the Jewish man with scars on his hands, feet, and side. No, it's that in the Spirit we see that Jewish man and know him to be the Son of God, the one in whom, for whom and through whom all things were made. Jesus is, precisely as that Jewish man from Nazareth, the Cosmic Christ, who died for the sins of the world and to defeat death at its own game.
'Why do you look for Jesus? He is not here....' In a way, he is gone from us, but by the power of the Spirit all creation is present to him as he reigns at the right hand. He has sent us into the world to proclaim the Gospel; he has promised to give his very body and blood to us in communion; water with the word suffices to unite a squealing infant to him for all eternity, because such is his sovereign will and desire. Could one prove that they had found Jesus' tomb, it would be of historical interest to be sure, but the eschatological, indeed apocalyptic reality in which we live is that all such things are irrelevant to his claim on us and his call to us.
So, to make hay out of this ancient church, such that you would get into a battle over who gets to use it when, is simply idiotic. More than that, it's pagan. Apollo's Delphic Oracle; Tai Shan; the Dome of the Rock; the Church of Saint Peter; Wittenberg and Zurich and Geneva; the Ganges; all such have been leveled in light of the breaking in of the hidden yet real New Creation in Jesus Christ. Fascinating places, to be sure, full of historical significance and worth a visit, and yet, for all that, even now fading as the old is exploded from within by the New.
The point of this ramble? Build a hotel over the tomb if you want. He's not there. And let no one enslave you to such pagan noodlings.
Peace out.
I've picked up Latin: An Intensive Course, by Floyd Moreland and Rita Fleischer. On page 297, we find a look at some words related to amo, I love.
Some syntactical matters come first.
Verbs have principal parts, those forms one uses as a base in order to conjugate ‘em in the various moods and tenses. In Latin, one must usually learn four principal parts for each verb, the Present Active Indicative, the Present Active Infinitive, the Perfect Active Indicative, and the Perfect Passive Participle, all of which let's leave undefined.
Well then, the principal parts of ‘I love' sort as follows - amo, amare, amavi, amatus. The family tree as found in the book branches from the second and the fourth of these.
amo - I love
amare - to love
amor - love
amabilis - lovable
amabilitas - loveliness
amabiliter - lovingly
amans - loving
amanter - lovingly
peramans - very loving
peramanter - very lovingly
amasco - begin to love
amicus - friend
amicus, a, um - friendly
amicitia - friendship
amico - make friendly to oneself
amice - friendly
amicosus - rich, or, abounding in friends
amiculus - a dear friend
inimicus - unfriendly
inimicitia - hostility
inimico - make enemies
inimice -- inimically
amavi - have loved
amatus - having been loved
amatio - love, caressing
amatorie - amorously
amatorium - aphrodisiac
amatorius - loving
amator - lover
amatorculus - a little, or, sorry lover
There you have the western world's needful obsession with love, human and divine, in all its forms and perversions and pathologies. Add invidia [jealousy] and its cognates, with odium [hatred], and words like accendo, concito, erigo, moveo moti motum, sollicito, suscito [various shades of arousal], along with other affects of love like appetitus [appetite, or a reaching out to a thing], liquifactio [melting], languor [longing], fervor [heat in pursuit], extasis [transport out of oneself to another], and the like, and you have the start for a whole taxonomy of love, hate, arousal, pursuit, courtship, rejection, fear, loathing, and desire.
Again, this is both mirth and matter for God and humanity. Indeed, with these words you get the start of the great adventure of Medieval theology and philosophy in its Augustinian and Cistercian and Thomist and Fransiscan and etcetera forms; the Petrarchan tradition in poetry and, well, everything else, along with its parodic subversions in Donne, Sidney, Shakespeare, Cervantes, Mary Wroth, Christina Rossetti, which in turn owe much to the dalliances real and imagined of the Troubadors, especially those left unfulfilled [there are Arabic roots for this as well]; the matter for all manner of zany, hilarious, and turgid situation comedies and date movies; the forms of courtship and romantic love which have bedeviled most everyone, especially as they have been grossly misunderstood in terms of sentiment and sublimity - it goes on and on, dear reader.
I for one find this delightful - love, after all, in all its forms, is the only game in town. This is true whether it be full of fancy and frivolous in its affections, or richly endowed with elective affinity and ecstasy. For most of us, it's some combination of these, and all the better for that.
Peace out.

